Here are some watercolour sketches I did on my recent trip to California. I was there for the NIADA doll conference. We stayed at the Asilomar Hotel and Conference Grounds in Pacific Grove, California.
Early each morning during the conference I went down to the beach with my watercolours to sketch.
I had just started this sketch when I saw movement out of the corner of my eye. There were seals on the rocks to my left. I didn’t sketch them as they were difficult to see in the shadows on the rocks. I do have other sketches of seals and sea lions in my sketchbook form other locations.
For my third sketch, I did most of it on location on one morning and finished it in my room later.
I was in the middle of the sketch when I looked up and saw off to the side a deer and her fawn just a feet feet away. The mother was waking away but the fawn had its back to me and I was able to grab my camera and get a few shots of it before it went off to join its mother.
All of the watercolour sketches were done with no preliminary drawing.
My latest fabric sculpture is an Earth Goddess. She is inspired by the colours and shapes of the ochre quarries of Rousillon, France which I visited several years ago. There is no mining of the ochre now but you can visit an old quarry.
I took this doll to the NIADA Conference in Asilomar, Pacific Grove, California, where I had a great time and met some wonderful doll artists.
In order to facilitate packing and transportation I used magnets to join the legs to the torso.
I painted her with watercolours before adding the face features with pastel pencils. I painted absorbant ground on the base before painting it with the same watercolours.
I spun the yarn for the hair on a drop spindle before sewing it to the head.
I randomly beaded the light parts of her torso, arms and legs.
She is named Poly because she has 6 fingers on each of her hands.
I signed up to do the #30x30DirectWatercolor2018 challenge issued by Marc Taro Holmes. I was inspired by all those who posted their practice/preparatory pieces to do one of my own in May.
This is a direct watercolour done from a photo of myself and three friends. I wasn’t going for a likeness; my aim was to have them look like people.
Once June started I was in the midst of another art project with a deadline coming soon so I haven’t been doing much of anything else. However, I did another direct watercolour of one of my friends from the same photograph trying to get a likeness this time. I hope to get time to do the other and maybe myself as well.
This is a great exercise and I hope I get time to do some more before the month is up. In any case I am really enjoying the challenge of not drawing with a pencil first and I plan to do more of this.
This crab apple tree is located between 2 large pine trees in my front yard in Ottawa. This year it was visited by a Pileated Woodpecker who worked on a couple of the branches. One of the branches came down in the last wind storm. Every year I expect it to die but it’s still surviving. I have painted it in bloom and in the fall and decided this time to concentrate on the bark.
I was raking leaves that didn’t get cleaned up last fall and noticed that the rhubarb was up.
I took a break to take a photo of the rhubarb which I used the next day to do a quick watercolour sketch.
I did a wet in wet under painting and then played with what was there to make it look like flowers. I don’t know of any flowers that look like the blue ones I painted. They may only exist in my imagination.
Spring has finally arrived. There are buds on the trees and the grass is green. The change in the weather inspired me to paint the following watercolours.
I decided to play with paint and chose for the first painting a limited palette of turquoise, yellow, and green.
After the first layer dried I painted in the grasses and added some purple for contrast.
For the second painting I used more colours.
I wasn’t very imaginative with what I added after the first layer dried. Maybe it isn’t finished yet.
Anyway, I did have fun and that’s the main thing.
I’ve had quite a lot of deer visiting the cottage lately. They come between 6 and 7 in the morning so I have to get up early to see them. I used to I grab my camera when I saw them. However it’s still too dark for photos when they visit so I started leaving my sketching kit by the window ready to go.
I have a deer block (food) that is a few feet from the walkout of my cottage. I have to be very still as sometimes they can see me through the window. When they are at the block they are relatively still for a few minutes.
My bedroom window is right above the walkout. I moved my sketching kit up there. There’s not much light in the room that early in the morning and I didn’t want to take the time to turn on the light so some of the colours got a bit mixed up.
Brightly coloured birds in the sumac drew my attention. These were the males. The females are more subdued in colour but more elegant. You have to look harder to see them and when they are by themselves they are harder to identify. Fortunately this one was in a large flock of both male and female Evening Grosbeaks.
I haven’t had any turkeys visiting me this winter. Last winter there were three groups that came fairly regularly. Occasionally they all would be here at the same time. This is one of the turkeys of a group of three that visited the most often and continued into the spring and early summer. The first time I saw the group it consisted of 3 adult males. During the winter one of the males was replaced by a female. The other two groups were larger and consisted of juveniles. One group was usually all male (8-10) and the other a mixture (11-13). I think there was some movement between the 2 groups.
The group of three came so often that they learned not to be afraid of me and I learned to distinguish between the two males. This is Harry.